The Film Crash, Directed By Paul Haggis - 974 Words

The film Crash, written and directed by Paul Haggis, examines racial exchanges in several different ethnic groups living in Los Angeles. As the film move forward, we are able to view how each characters’ own racist experiences change their attitudes towards other races. Paul Haggis illustrates those change through the mood tone, setting, and even the music. By the end of the movie, the audience is left with a feeling of hope and an ambition to examine its own thought and actions towards others. Even though critics argue that the film Crash is stereotypically racist, the film encourages America to see past the misbelief we have of each other because empathy and self-examination is the starting place for change and the destruction of society is based on one’s choices. Racism, prejudice and stereotyping, as the main themes of the movie, control all the sub-stories that are somehow linked to each other. Moreover, as the stories go on and events develop, it becomes possible to see how characters start to have changes in their perspective and attitude towards each other, either in a good or a bad way. An incident which can demonstrate our thesis on racism and stereotyping and how it might change in just one moment which brings people closer could be shown as the conflict between the racist police officer and the African American woman who gets harassed by him, and whose life is saved by him on the next day. The first encounter of the woman and the officer resulted with the womanShow MoreRelatedThe Film Crash Directed By Paul Haggis2596 Words   |  11 Pages Film Paper on Crash The film Crash directed by Paul Haggis brings multiple points of views from people of different races together that really gives viewers a sense of what they have to go through everyday in society. The film was released on May 6, 2005 and still to this day similar acts of racism and prejudice occur in society that was also seen in the film. Watching the film sheds a new light on how it mentally feels to be racially discriminated and how authorities do not really do anythingRead MoreCrash : Film Co Directed And Produced By Paul Haggis1580 Words   |  7 PagesCrash is a 2004 ensemble drama film co-written, directed, and produced by Paul Haggis. The film focuses on stereotypical, racial and social tensions in Los Angeles, California. It connects stories based on coincidence, fortuitousness, and luck, as the lives of the characters crash against one another. The movie revolves around the feelings of prejudice and antipathy most people have against members of other groups, and observe s the consequences of those feelings. The movie demonstrates the livesRead MoreSelective Perception in Paul Haggis Crash853 Words   |  4 PagesSociology 113AE Reaction Paper 10/20/05 Selective Perception in Paul Haggis Crash Prejudices are the strong backbone to the concept of racism. They are the labels and images that we designate to a group of people on the basis of what we imagine to be the characteristics of all members of that group. More often than not, they are incorrect and incomplete. The film Crash, directed by Paul Haggis, addresses the strong existence of prejudices against many groups from various perspectivesRead MoreThe Opening Line Of The Movie Crash Essay1734 Words   |  7 Pagescity, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We’re always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.† This quote, spoken by Don Cheadle, is the opening line of the movie Crash. 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Haggis s Oscar award winning movie Crash serves as a modern retelling ofRead MoreCrash Movie Analysis Essay1033 Words   |  5 PagesCrash tells interlocking stories of whites, blacks, Latinos, Koreans, Iranians, cops and criminals, the rich and the poor, the powerful and powerless, all defined in one way or another by racism. All are victims of it, and all are guilty it. Sometimes, yes, they rise above it, although it is never that simple. Their negative impulses may be instinct ive, their positive impulses may be dangerous, and who knows what the other person is thinking? The result is a movie of intense fascination; we understandRead MoreFinal Film Critique: Crash (2004)2178 Words   |  9 PagesFinal Film Critique: Crash (2004) Jay Dennis ENG 225 Introduction to Film Instructor: Cicely Young April 13, 2014 Final Film Critique Draft: Crash (2004) There are many different critical elements and artistic aspects to examine when analyzing and critiquing any film. In 2004 Paul Haggis wrote and directed the award winning drama Crash about various intertwining experiences involving racial relations and the socioeconomic status levels of the diverse cast of characters. This film addressesRead More Justice in movie Crash Essay examples1133 Words   |  5 PagesJustice in movie Crash In the movie Crash, directed by Paul Haggis, John Stuart Mills theories on Social Justice and Utility are depicted within the context of the 20th century. Haggis representation of a multicultural society is one built on racism and inequality, which limits the social justice people can acquire. In this film prejudice and stereotyping are prevalent when discussing legal rights and moral rights. The social situation has profound impacts on the choices people make. ThisRead MorePaul Haggis Crash: Movie Analysis2167 Words   |  9 PagesPaul Haggiss film Crash (2004) explores the social and racial tensions that are prevalent in contemporary Los Angeles. Crash is comprised of a series of vignettes in which people lead parallel lives that briefly intersect throughout the film and converge through various car crashes in Los Angeles. Crash features an all-star cast, which includes Sandra Bullock, Brendan Fraser, Matt Dillon, Ryan Philippe, Than die Newton, Terence Howard, Chris Ludacris Br idges, and Larenz Tate. Through various vignettesRead MoreMovie Crash : A Sociological Lens Essay1833 Words   |  8 Pages Directed by Paul Haggis, the movie Crash (2004) addresses the social issues of individuals living in Los Angeles while revealing that the lives of these â€Å"strangers† are all somehow intersected. The film opens at the scene of a car accident where detective Graham powerfully states, that the people of Los Angeles have lost their â€Å"sense of touch† (Haggis, 2004). Within a thirty-six hour period, we see how such controversial issues such as racism, discrimination, and prejudice cripple the diverse